{"object":[{"sourceId":{"label":"Source ID","value":"656"},"invno":{"label":"Inventory number","value":"1642"},"description":{"label":"Description","value":"Clemens von Raglovich (1766\u20131836) has his eye on something or someone -  probably an adversary. He is watching him alertly. Intuitively he reaches for his dagger, which - like the rival and the soldier\u2019s hands - Krafft has chosen not to show. Fundamental narrative elements are thus left out of the composition. It is precisely in this omission that the picture\u2019s strength lies: nothing distracts our attention from the sitter. With his head turned to the left and his arms pointing in the opposite direction, the pose lends the figure a certain dynamism that symbolizes his mettle and resolve far beyond the scene depicted in the painting. Barbara Krafft is one of the few better-known female artists of the period around 1800. As a woman she was prohibited from studying at an academy, so she was taught by her father who was also a painter. She first exhibited at the Vienna academy in 1786 and became a member, which did not contravene the studying ban. She soon came to be a prestigious portrait painter and confidently signed her depiction of Raglovich \u201cBarbara Krafft pin[xit].\u201d"},"medium":{"label":"Medium","value":"Oil on canvas"},"onview":{"label":"On View","value":"0"},"media":{"label":"Media","value":["https://sammlungtest.belvedere.at/internal/media/dispatcher/4754/full"]},"title":{"label":"Title","value":"The Bavarian Lieutenant-General, Baron Clemens von Raglovich"},"classification":{"label":"Genre","value":"Painting"},"primaryMedia":{"label":"PrimaryMedia","value":"https://sammlungtest.belvedere.at/internal/media/dispatcher/4754/full"},"displayDate":{"label":"Date","value":"c. 1813"},"id":{"label":"Id","value":"12360772"},"iiifManifest":{"value":"https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-656/manifest"},"dimensions":{"label":"Dimensions","value":"55 × 44,5 cm"}}]}