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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/70888/full</schema:image><schema:name>Path in Monet's Garden in Giverny</schema:name><schema:name>Weg in Monets Garten in Giverny</schema:name><schema:dateCreated>1902</schema:dateCreated><schema:creator>[Claude Monet]</schema:creator><schema:creator>Claude Monet</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:description>It is late summer. The leaves and flowers seem positively to shimmer, the painting a tapestry of juxtaposed dabs of paint. Solid shapes are nowhere to be seen—everything is color. The herbaceous borders of nasturtiums, asters, and dahlias and the sandy path leading to a house all shine brightly. Dappled shadows dissolve into an array of dark hues. In spring 1883 Monet moved to a house in Giverny, northwest of Paris. He immediately started designing the garden; a water-lily pond was a later addition. In 1872 the little-known painter had unwittingly given Impressionism its name when he exhibited Impression, soleil levant (Impression, Sunrise). His water-lily paintings and images of this avenue in his garden represent the climax and culmination of this style.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/2683/rdf</schema:url></schema:VisualArtwork></rdf:RDF>