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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/5885/full</value></field><field label="Title" name="title"><value>Austrian Soldiers Crossing a Ford</value></field><field label="Date" name="displayDate"><value>1851</value></field><field label="Dimensions" name="dimensions"><value>31 × 40 cm</value></field><field label="Medium" name="medium"><value>Oil on cardboard</value></field><field label="Inventory number" name="invno"><value>1443</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>
It is not known why August von Pettenkofen accompanied the Austrian army as a war artist in the Hungarian War of Independence of 1848/49, but this military conflict preoccupied the artist as a subject through to the 1860s. His paintings do not represent Austrian and Russian soldiers in heroic poses, however, but capture the daily privations and horrors of war using a dark palette. The genre-like depiction of Bivouacking Russian Soldiers is still entirely in the tradition of Biedermeier Realism. By contrast, Transportation of Wounded Soldiers II and After the Battle appear harsh and austere.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10191624</value></field><field label="Source ID" name="sourceId"><value>455</value></field><field label="Location" name="locationssite"><value>Upper Belvedere</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-455/manifest</value></field></object>