13/internal/media/dispatcher/79476/fullDune Beach on the Baltic1887[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3549/rdf/internal/media/dispatcher/79480/fullMonte Cavo near Albano1854[Friedrich Loos]Friedrich LoosOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5144/rdf/internal/media/dispatcher/79479/fullWalker in a Forest Landscape1840[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4218/rdf/internal/media/dispatcher/79474/fullThe Ramsau Valley near Berchtesgaden1836[Friedrich Loos]Friedrich LoosOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2570/rdf/internal/media/dispatcher/79473/fullTrees on the Kahlenberg with View of Vienna1835/1840[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/2546/rdf/internal/media/dispatcher/79475/fullScene from Oberschützen1838[Friedrich Loos]Friedrich LoosOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2713/rdf/internal/media/dispatcher/79478/fullThe Falkenturm on Mönchsberg Hill near Salzburg1835[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4216/rdf/internal/media/dispatcher/79477/fullView at Eisenerz1834 (or 1839)[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4215/rdf/internal/media/dispatcher/9066/fullWoman at a Window with Distaffc. 1835[Friedrich Loos]Friedrich LoosOil on paper on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4217/rdf/internal/media/dispatcher/79472/fullMönchsberg Hill in Salzburg with the Powder Tower1826[Friedrich Loos]Friedrich LoosOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/2081/rdf/internal/media/dispatcher/79465/fullView from Mönchsberg Hill of the Hohensalzburg Fortressc. 1830[Friedrich Loos]Friedrich LoosOil on cardboardLoos did not choose the city itself or its most famous landmark, the Hohensalzburg Fortress, as his subject, but instead the Mönchsberg Hill, or more precisely its steeply sloping rock faces. Like a surgical incision, we see the interior of the mountain, its composition and geology, exposed. The silhouette of Salzburg in the distance serves merely to locate the subject. With his close-up view of the rock formations, Loos demonstrated his skills as an artist. Yet he was always on the lookout for new subjects that would appeal to buyers. He found these on his walks in Austria, and later on in Rome and Kiel. This left him with a large stock of drawings, which, often years later, he used as resources for his paintings.Paintinghttps://sammlungtest.belvedere.at/objects/1978/rdf/internal/media/dispatcher/12044/fullView from Hütteneckalm of Hallstätter See and Dachsteinc. 1838[Friedrich Loos]Friedrich LoosOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/3909/rdf/internal/media/dispatcher/77702/fullLandscape with Riders1820[Friedrich Loos, Jacques d' Arthois]Friedrich LoosEngravingPrinthttps://sammlungtest.belvedere.at/objects/7419/rdf