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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:ItemList><schema:numberOfItems>3</schema:numberOfItems><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/26824/full</schema:image><schema:name>The Sower</schema:name><schema:dateCreated>1896</schema:dateCreated><schema:creator>[Constantin Emile Meunier]</schema:creator><schema:creator>Constantin Emile Meunier</schema:creator><schema:artMedium>Bronze</schema:artMedium><schema:description>Für diese Figur hat Meunier drei plastische Varianten entwickelt. Die hier vorliegende (allerdings gespiegelt wiedergegebene) älteste Version scheint auf einen der Entwürfe von 1893 für den Botanischen Garten in Brüssel zurückzugehen. Der Sämann schreitet noch in festem Schuhwerk aus. 1896 wurde der lebensgroße Bronzeguss ausgeführt, nun als barfüßige Figur (weitere Exemplare heute in Antwerpen, Berlin, Frankfurt am Main und Kopenhagen). Eine nochmals abweichende Version (nackt und mit stärkerer Drehung, rechter Arm raumgreifender) gestaltete der Künstler um 1903–1904 für das "Denkmal der Arbeit". — [Ralph Knickmeier in: Constantin Meunier. 1831–1905. Skulpturen, Gemälde, Zeichnungen, hrsg. v. Eva Caspers, Ausst. Kat. Ernst Barlach Haus, Stiftung Hermann F. Reemtsma, Hamburg 10.5.–2.8.1998, S. 118, Kat.-Nr. 29]</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/6021/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/59283/full</schema:image><schema:name>The Puddler</schema:name><schema:dateCreated>1894/1895</schema:dateCreated><schema:creator>[Constantin Emile Meunier]</schema:creator><schema:creator>Constantin Emile Meunier</schema:creator><schema:artMedium>Bronze, stone plinth</schema:artMedium><schema:description>Selbstständige Büste nach dem Kopf der großformatigen Sitzfigur "Ruhender Puddler".</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1117/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/74028/full</schema:image><schema:name>The Dock Worker</schema:name><schema:dateCreated>1893</schema:dateCreated><schema:creator>[Constantin Emile Meunier]</schema:creator><schema:creator>Constantin Emile Meunier</schema:creator><schema:artMedium>Bronze</schema:artMedium><schema:description>
Constantin Émile Meunier was both a painter and a sculptor. After starting out in genre and history painting, he became particularly interested in various working environments after 1880. From 1886 onward, he took to exploring this curiosity through sculptural means, devoting himself exclusively to that art form. The artist achieved great fame with his heroic depictions of the working class. One of his most popular works is this figure of a dock worker, more than two meters high, of which numerous casts have been made. Instead of showing the ship’s firefighter doing his job, Meunier depicted him posed during a moment of calm. </schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/6530/rdf</schema:url></schema:VisualArtwork></schema:itemListElement></schema:ItemList></rdf:RDF>