<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:ItemList><schema:numberOfItems>1</schema:numberOfItems><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164306/full</schema:image><schema:name>Head of Christ</schema:name><schema:dateCreated>c. 1480</schema:dateCreated><schema:creator>[Oberösterreichischer Bildhauer]</schema:creator><schema:creator>Oberösterreichischer Bildhauer</schema:creator><schema:artMedium>Chalky sandstone, traces of polychromy</schema:artMedium><schema:description>
In 1467, Emperor Frederick III invited Niclas Gerhaert van Leyden, the most prominent Netherlandish sculptor of his time, to Austria. The artist’s uncompromising realism and innovative three-dimensionality had a strong influence on Austrian sculpture in the final third of the fifteenth century. This head of Christ, the work of an unknown Austrian sculptor, is a case in point. The face of Christ, marked by suffering and death, likely once formed part of a Pietà—a representation of the Crucified mourned by his mother, Mary.</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3681/rdf</schema:url></schema:VisualArtwork></schema:itemListElement></schema:ItemList></rdf:RDF>