9/internal/media/dispatcher/128092/fullAbstrakte Komposition1925–1930[Adolf Hölzel]Adolf HölzelGraphit und Kreide auf PapierDrawing arthttps://sammlungtest.belvedere.at/objects/90163/rdf/internal/media/dispatcher/128091/fullFarbige Einladungskarte1922[Adolf Hölzel]Adolf HölzelBuntstifte auf PapierEinladungskarteDrawing arthttps://sammlungtest.belvedere.at/objects/90162/rdf/internal/media/dispatcher/135617/fullCrucifixionCa 1917[Adolf Hölzel]Adolf HölzelOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/93601/rdf/internal/media/dispatcher/135615/fullOhne Titelca 1912[Adolf Hölzel]Adolf HölzelOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/93600/rdf/internal/media/dispatcher/126889/fullLegend (Adoration of the Angels in Green)1908[Adolf Hölzel]Adolf HölzelPainting on textile Adolf Hölzel’s painting Legend is composed of intense hues of green. It shows several groups of figures in front of almost monochrome planes of color. With their stooped poses and wing-like forms, some resemble people in devout prayer or angels. Yet the interest of the painter and art theorist was not so much the Christian narrative as a coherent pictorial composition. To this end, Hölzel harmoniously attuned the arrangement of forms and colors on the canvas. In fact, it is only our culturally influenced way of seeing that leads us to interpret this motif as a religious scene. Paintinghttps://sammlungtest.belvedere.at/objects/90545/rdf/internal/media/dispatcher/126891/fullSitting Woman in Simultaneous Contrastca. 1908[Adolf Hölzel]Adolf HölzelOil on textilePaintinghttps://sammlungtest.belvedere.at/objects/90546/rdf/internal/media/dispatcher/126897/fullFemale Head1903[Adolf Hölzel]Adolf HölzelPainting on textilePaintinghttps://sammlungtest.belvedere.at/objects/90548/rdf/internal/media/dispatcher/126894/fullLandschaft mit Baumstämmenca 1902[Adolf Hölzel]Adolf HölzelMalerei auf textiilem BildträgerPaintinghttps://sammlungtest.belvedere.at/objects/90547/rdf/internal/media/dispatcher/4856/fullWhite Poplars1900[Adolf Hölzel]Adolf HölzelOil on canvas Two mighty poplars extend to the picture’s edges and define the composition: Adolf Holzel presents a textbook painting for his theory of balanced design—he formalizes landscape. Holzel studied painting in Vienna and Munich from 1872 to 1882. In 1887 he settled in Dachau near Munich and established a flourishing painting school. Students included German Expressionist Emil Nolde and Austrian artist Emilie Mediz-Pelikan. Holzel was a close friend of Viennese painter Carl Moll and a founding member of the Vienna Secession in 1897. He is seen as an important pioneer of abstract art.Paintinghttps://sammlungtest.belvedere.at/objects/6165/rdf