13/internal/media/dispatcher/9222/fullCrucifix1932[Anton Hanak]Anton HanakBronzeSculpturehttps://sammlungtest.belvedere.at/objects/4663/rdf/internal/media/dispatcher/6507/fullPietà1929 (cast: 1949)[Anton Hanak]Anton HanakBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8916/rdf/internal/media/dispatcher/9220/fullMonument to the Composer Ludwig van Beethoven1927[Anton Hanak]Anton HanakGraugelber MarmorSculpturehttps://sammlungtest.belvedere.at/objects/4661/rdf/internal/media/dispatcher/28399/fullMargarete Stonborough-Wittgenstein1925[Anton Hanak]Anton HanakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/1413/rdf/internal/media/dispatcher/5234/fullVenus Vindobonensis "Armour"1924-1927 (signed 1931)[Anton Hanak]Anton HanakLaaser MarmorSculpturehttps://sammlungtest.belvedere.at/objects/1369/rdf/internal/media/dispatcher/9221/fullSeated Figure1921[Anton Hanak]Anton HanakTerracottaSculpturehttps://sammlungtest.belvedere.at/objects/4662/rdf/internal/media/dispatcher/40422/fullMary Moldauer1920[Anton Hanak]Anton HanakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/2801/rdf/internal/media/dispatcher/7683/fullThe Turning Point (Draft)1920[Anton Hanak]Anton HanakBronzeSculpturehttps://sammlungtest.belvedere.at/objects/4660/rdf/internal/media/dispatcher/121920/fullDer brennende Mensch (Entwurf)c. 1922[Anton Hanak]Anton HanakBronzeSculpturehttps://sammlungtest.belvedere.at/objects/4659/rdf/internal/media/dispatcher/9255/fullFemale Figure1917[Anton Hanak]Anton HanakClay, unglazedSculpturehttps://sammlungtest.belvedere.at/objects/7810/rdf/internal/media/dispatcher/28402/fullThe last human (Ecce Homo)1917–1924[Anton Hanak]Anton HanakBronzeThe outbreak of World War I in 1914 marked the start of an intense exploration of misery and human suffering in the work of Anton Hanak. The sculptor spent seven years working on this monumental figure, aiming to express the psychological states, individual crises, and also the wounds of an entire generation. His final sculpture depicts a naked male figure, his arms outstretched like wings, his upper body leaning slightly forward. The Last Human is a Man of Sorrows, his pose, facial expression, and gestures reminiscent of the crucified Christ. Sculpturehttps://sammlungtest.belvedere.at/objects/8295/rdf/internal/media/dispatcher/50850/fullThe Young Sphinx1916[Anton Hanak]Anton HanakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/7867/rdf/internal/media/dispatcher/124936/fullThomas Ekel1906[Anton Hanak]Anton HanakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/4621/rdf