18/internal/media/dispatcher/140645/fullTuschfleckweltflämmler2014/2015[Gunter Damisch]Gunter DamischHolzschnitt und Tusche auf PapierPrinthttps://sammlungtest.belvedere.at/objects/66001/rdf/internal/media/dispatcher/144048/fullFlämmlerbogenkonstrukt2012–2013[Gunter Damisch]Gunter DamischAluminiumSculpturehttps://sammlungtest.belvedere.at/objects/98806/rdf/internal/media/dispatcher/85703/fullWeltringturmsteher2003[Gunter Damisch]Gunter DamischPatinated bronzeSculpturehttps://sammlungtest.belvedere.at/objects/65781/rdf/internal/media/dispatcher/143748/fullDurchdringungsweltenwege1999–2000[Gunter Damisch]Gunter DamischOil on canvasDeveloping on the expressive painting style of the Neue Wilden from the 1980s, Gunter Damisch created a complex pictorial system with an unmistakable visual language of forms and colors. In his oeuvre of paintings, graphic art, and sculpture he created whole worlds and (micro)cosmoses and invented his own artistic vocabulary to name these. Concepts such as field, world, path, net, stream, flow, and flicker consistently recur in his art. The title of this over four-meter-long painting Durchdringungsweltenwege intertwines mental constructs such as “world” and “path” in a fabricated compound word. Depending on our viewpoint we see greatly magnified microbes, flagellates, and tiny organisms or meandering rivers, settlements, and human figures in the far-off distance.Paintinghttps://sammlungtest.belvedere.at/objects/98807/rdf/internal/media/dispatcher/22168/full[The Night, The Redness And The Light]1997-1998[Gunter Damisch]Gunter DamischOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/15931/rdf/internal/media/dispatcher/72641/fullYellow-Field1996[Gunter Damisch]Gunter DamischOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/56257/rdf/internal/media/dispatcher/75642/fullCross Field Flickering1996[Gunter Damisch]Gunter DamischOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/56278/rdf/internal/media/dispatcher/75390/fullThe Hiker1991[Gunter Damisch]Gunter DamischOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/56250/rdf/internal/media/dispatcher/74935/fullWorldcap1991[Gunter Damisch]Gunter DamischBronze"edition von 5 + 2 ea, gießerei venturi bologna, verlegt von der galerie hilger, aus einer gruppe von wandskulpturen, die das in dieser zeit deutlicher entwickelte motiv der „welten „ variiert, hier spitz als „kap“, an der wand zu hängen. diese arbeit stellt mit anderen güssen aus 1991 den anfang meiner umsetzung von skulpturalen arbeiten in güsse dar und war im katalog meiner ausstellung in der galerie hilger in wien sowie danach 1992 im katalog zu meiner ausstellung im folkwangmuseum abgebildet" Gunter Damisch, Mail vom 26.1.2015Sculpturehttps://sammlungtest.belvedere.at/objects/56280/rdf/internal/media/dispatcher/75586/fullUntitled1990[Gunter Damisch]Gunter DamischCharcoal and watercolor on paperDrawing arthttps://sammlungtest.belvedere.at/objects/56264/rdf/internal/media/dispatcher/75589/fullUntitled1990[Gunter Damisch]Gunter DamischWatercolor and charcoal on paperDrawing arthttps://sammlungtest.belvedere.at/objects/56276/rdf/internal/media/dispatcher/75426/fullSheepfold1983[Gunter Damisch]Gunter DamischOil on paperPaintinghttps://sammlungtest.belvedere.at/objects/56514/rdf/internal/media/dispatcher/75587/fullUntitled1987[Gunter Damisch]Gunter DamischCharcoal on paperDrawing arthttps://sammlungtest.belvedere.at/objects/56265/rdf/internal/media/dispatcher/75588/fullUntitled1987[Gunter Damisch]Gunter DamischWatercolor and charcoal on paperDrawing arthttps://sammlungtest.belvedere.at/objects/56267/rdf/internal/media/dispatcher/96670/fullGunter Damisch1983–1989[Gunter Damisch, Rudi Molacek]Rudi MolacekFotografie auf Kodak Kodabromid G Paper 1988/89Photographyhttps://sammlungtest.belvedere.at/objects/73948/rdf/internal/media/dispatcher/96676/fullGunter Damisch1983–1989[Gunter Damisch, Rudi Molacek]Rudi MolacekFotografie auf Kodak Kodabromid G Paper 1988/89Photographyhttps://sammlungtest.belvedere.at/objects/73956/rdf/internal/media/dispatcher/96690/fullGunter Damisch1983–1989[Gunter Damisch, Rudi Molacek]Rudi MolacekFotografie auf Kodak Kodabromid G Paper 1988/89Photographyhttps://sammlungtest.belvedere.at/objects/73973/rdf/internal/media/dispatcher/75393/fullUntitled1982[Gunter Damisch]Gunter DamischOil on canvasGunter Damisch’s early oeuvre from the 1980s is associated with the movement known as “Junge Wilde” or “Young Savages.” Building on its stylistic features, the artist devises a process-based approach to painting that is set apart by a characteristic formal idiom. In sumptuous pictures in saturated colors and bold contrasts, he combines rounded or elongated forms, lines, and amoeba-like creatures to represent complex systems. His poetic-dynamic compositions, Damisch says, are richly associative “worlds” unto themselves. The biomorphic entities, fields, and contours in this untitled painting may be read as an attempt to capture the instants of growth and development, of nascency and disintegration.Paintinghttps://sammlungtest.belvedere.at/objects/56260/rdf