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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:ItemList><schema:numberOfItems>2</schema:numberOfItems><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/52844/full</schema:image><schema:name>Amalie Zuckerkandl</schema:name><schema:dateCreated>1913/14 (possibly also still in 1917) (unfinished)</schema:dateCreated><schema:creator>[Amalie und Otto Zuckerkandl, Amalie Zuckerkandl, Österreichische Galerie, Hermine Müller-Hofmann, Ferdinand Bloch-Bauer, Gustav Klimt]</schema:creator><schema:creator>Gustav Klimt</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:description>
The sitter is Amalie Zuckerkandl, wife of the surgeon Otto Zuckerkandl and sister-in-law of the well-known writer Berta Zuckerkandl. This unfinished portrait clearly demonstrates Gustav Klimt’s method of working. As in all of his late portraits, his starting point was the face while the body and clothes are initially only indicated using sketchy strokes. Klimt was given the commission in 1913/14, but progress was interrupted when the Zuckerkandls moved house. In 1917 he resumed work on the portrait, yet it was never finished due to Klimt’s unexpected death early the following year. Amalie Zuckerkandl was left impoverished after the couple divorced. In 1942 she was deported by the Nazis and murdered at Bełžec extermination camp in Poland. 
 </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/7488/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>/internal/media/dispatcher/70896/full</schema:image><schema:name>Schloss Kammer on Lake Attersee III</schema:name><schema:dateCreated>1911/1912</schema:dateCreated><schema:creator>[Österreichische Galerie, Gustav Ucicky, Österreichische Galerie, Ferdinand und Adele Bloch-Bauer, Gustav Klimt, Erich Führer, Ingeborg Anna Ucicky, Ferdinand Bloch-Bauer]</schema:creator><schema:creator>Gustav Klimt</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:description>
“Arrived safely, forgot my opera glasses—need them badly,” Klimt reported to his sister Hermine in 1915 from his vacation home on Lake Attersee. The artist’s need during his summer vacation for optical aids—a telescope as well as opera glasses—becomes apparent from this painting: the lakeside facade of Schloss Kammer. Klimt probably captured it on canvas from the opposite shore using a telescope. The zoom effect causes the trees, the low front wing, and the red roof of the main building behind to appear as if on a single plane. With its softly out-of-focus reflections, the lake portion also appears to be part of the resulting two-dimensional image.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3112/rdf</schema:url></schema:VisualArtwork></schema:itemListElement></schema:ItemList></rdf:RDF>