68/internal/media/dispatcher/114175/fullDie Schastrommel 31970[Günter Brus, Rudolf Schwarzkogler, Otto Muehl, Hermann Nitsch, Peter Gorsen, Gerhard Rühm, Oswald Wiener, Otmar Bauer, Ludwig Gosewitz]Günter BrusPapier, gebundenBook arthttps://sammlungtest.belvedere.at/objects/84391/rdf/internal/media/dispatcher/159971/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98529/rdf/internal/media/dispatcher/159333/fullText 6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination. Printhttps://sammlungtest.belvedere.at/objects/98530/rdf/internal/media/dispatcher/159961/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98531/rdf/internal/media/dispatcher/159962/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98532/rdf/internal/media/dispatcher/159963/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98533/rdf/internal/media/dispatcher/159964/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98534/rdf/internal/media/dispatcher/159965/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98535/rdf/internal/media/dispatcher/159966/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98536/rdf/internal/media/dispatcher/159967/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98537/rdf/internal/media/dispatcher/159968/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98538/rdf/internal/media/dispatcher/159969/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98539/rdf/internal/media/dispatcher/159970/full6th Action1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler holds a special position among the Viennese Actionists: His work is created exclusively in front of and for the camera. In his six Actions he used medical supplies such as bandages, razor blades, surgical instruments, and electric cables, but also dead fish and chickens. Confronted with these are usually a naked male model or, as here, his own body wrapped in bandages. These statically arranged tableaux merely hint at aggression and destruction. The full potential to shock and horrify is only realized when the actions are completed in the recipient’s imagination.Photographyhttps://sammlungtest.belvedere.at/objects/98540/rdf/internal/media/dispatcher/159326/fullAction Photos1965–1966[Rudolf Schwarzkogler]Rudolf SchwarzkoglerBlack and white fotosRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/9538/rdf/internal/media/dispatcher/159328/fullText 1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Printhttps://sammlungtest.belvedere.at/objects/98348/rdf/internal/media/dispatcher/159659/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98476/rdf/internal/media/dispatcher/159661/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98477/rdf/internal/media/dispatcher/159835/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98478/rdf/internal/media/dispatcher/159836/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98479/rdf/internal/media/dispatcher/159837/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98480/rdf/internal/media/dispatcher/159838/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98481/rdf/internal/media/dispatcher/159870/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98482/rdf/internal/media/dispatcher/159872/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98483/rdf/internal/media/dispatcher/159873/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98484/rdf/internal/media/dispatcher/159874/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98485/rdf/internal/media/dispatcher/159875/full1st Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98486/rdf/internal/media/dispatcher/159329/fullText 2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Printhttps://sammlungtest.belvedere.at/objects/98487/rdf/internal/media/dispatcher/159876/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98488/rdf/internal/media/dispatcher/159877/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98489/rdf/internal/media/dispatcher/159878/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98490/rdf/internal/media/dispatcher/159330/fullText 3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Printhttps://sammlungtest.belvedere.at/objects/98491/rdf/internal/media/dispatcher/159888/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98492/rdf/internal/media/dispatcher/159889/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98493/rdf/internal/media/dispatcher/159915/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98494/rdf/internal/media/dispatcher/159917/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98495/rdf/internal/media/dispatcher/159918/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98496/rdf/internal/media/dispatcher/159919/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98497/rdf/internal/media/dispatcher/159920/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98498/rdf/internal/media/dispatcher/159921/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98499/rdf/internal/media/dispatcher/159922/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98500/rdf/internal/media/dispatcher/159923/full3rd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98501/rdf/internal/media/dispatcher/159331/fullText 4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Printhttps://sammlungtest.belvedere.at/objects/98511/rdf/internal/media/dispatcher/159924/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98513/rdf/internal/media/dispatcher/159933/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98514/rdf/internal/media/dispatcher/159934/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98515/rdf/internal/media/dispatcher/159935/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98516/rdf/internal/media/dispatcher/159936/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98517/rdf/internal/media/dispatcher/159937/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98518/rdf/internal/media/dispatcher/159938/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98519/rdf/internal/media/dispatcher/159939/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98520/rdf/internal/media/dispatcher/159940/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98521/rdf/internal/media/dispatcher/159941/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98522/rdf/internal/media/dispatcher/159942/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98523/rdf/internal/media/dispatcher/159943/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98524/rdf/internal/media/dispatcher/159332/fullText 5th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Printhttps://sammlungtest.belvedere.at/objects/98525/rdf/internal/media/dispatcher/159959/full5th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98527/rdf/internal/media/dispatcher/159960/full5th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98528/rdf/internal/media/dispatcher/159879/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98558/rdf/internal/media/dispatcher/159880/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98559/rdf/internal/media/dispatcher/159881/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98560/rdf/internal/media/dispatcher/159882/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98561/rdf/internal/media/dispatcher/159883/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98562/rdf/internal/media/dispatcher/159884/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98563/rdf/internal/media/dispatcher/159885/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98564/rdf/internal/media/dispatcher/159886/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98565/rdf/internal/media/dispatcher/159887/full2nd Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98566/rdf/internal/media/dispatcher/159944/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98567/rdf/internal/media/dispatcher/159945/full4th Action1965[Rudolf Schwarzkogler]Rudolf SchwarzkoglerB&W photographRudolf Schwarzkogler’s art articulates a critical view of society with provocative ritualistic violations of taboos; it features insinuated acts of castration, electroshock therapy, dead animals, and bandaged heads. The Viennese actionist’s work insistently surveys the field between the poles of illness, injury, and healing. The bodies of friends serve him as the models on which he carries out actions he has planned with scrupulous precision. After a first performance held before a live audience, the camera’s lens becomes the only witness to Schwarzkogler’s actions. In 1966, the photographer Ludwig Hoffenreich, whom he has hired for the purpose, gathers sixty-one photographs from five different actions in this portfolio.Photographyhttps://sammlungtest.belvedere.at/objects/98568/rdf