Avenue to Schloss Kammer – Works – Sammlung Online

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The image depicts an avenue lined with tall, slender trees. The tree trunks are straight, and the branches spread upward, creating an arched effect. At the end of the avenue, a building is visible, integrated into the scene. The path is paved and leads directly toward the building. The entire composition conveys a sense of depth and perspective.

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Oberes Belvedere
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The image depicts an avenue lined with tall, slender trees. The tree trunks are straight, and the branches spread upward, creating an arched effect. At the end of the avenue, a building is visible, integrated into the scene. The path is paved and leads directly toward the building. The entire composition conveys a sense of depth and perspective.

[AI-generated with ChatGPT]

Avenue to Schloss Kammer
Date1912

Künstler*in Gustav Klimt (1862 Wien – 1918 Wien)

ULAN

Object typePainting
MediumOil on canvas
Dimensions
110 × 110 cm
SignatureBez. links unten: GUSTAV / KLIMT
Inventory number2892
Locations Belvedere, Upper Belvedere, 1. Floor (east), Room SO3
“I am longing to get away more than ever,” wrote Gustav Klimt at the beginning of August 1901 — away from the hot city for a sojourn by the lakes and mountains of Austria’s Salzkammergut. From 1900 to 1916 the artist spent several weeks each summer at the Attersee lake. This beautiful region inspired him and he painted intensively. Klimt depicted Schloss Kammer in a total of five paintings. At the end of an avenue of gnarled trees, the entrance and part of the yellow façade can be seen in the pictorial depths. Vibrant dabs of paint and bold contours reflect Klimt’s engagement with the international avant-garde, for example the work of Vincent van Gogh or Paul Cézanne that he had the chance to study at exhibitions in Vienna.

Provenance
Exhibitions

Sammlung Viktor Zuckerkandl, Wien - Berlin.
1927 Paula Zuckerkandl, Berlin.
1927 Nachlass Zuckerkandl, Wien
1929 Ankauf aus Verlassenschaft Zuckerkandl, Wien

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