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Fritza Riedler

The image depicts a woman seated on a stylized chair. She is wearing an elegant, flowing dress with various details. Her hair is styled up and she is looking slightly to the side. The background features geometric patterns and a solid area. At the bottom of the image, another geometric section is visible.

[AI-generated with ChatGPT]
Fritza Riedler
The image depicts a woman seated on a stylized chair. She is wearing an elegant, flowing dress with various details. Her hair is styled up and she is looking slightly to the side. The background features geometric patterns and a solid area. At the bottom of the image, another geometric section is visible.

[AI-generated with ChatGPT]
Gustav Klimt, Fritza Riedler, 1906, Öl auf Leinwand, 153 × 133 cm, Belvedere, Wien, Inv.-Nr. 3379
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  • Fritza Riedler

  • Date1906
  • Künstler*in Gustav Klimt (1862 Wien – 1918 Wien)
  • Object typePainting
  • MediumOil on canvas
  • Dimensions
    153 × 133 cm
  • SignatureBez. links seitlich: GUSTAV / KLIMT / 1906
  • Inventory number3379
  • Locations Belvedere, Upper Belvedere, 1. Floor (east), Room NO3

  • Dignified, reserved, and majestic, Fritza Riedler (1860–1927), the wife of a wealthy mechanical engineer, sits in a chair as if enthroned. The delicate features of her pale face stand in striking contrast to her dark hair. There is not a flicker of expression on her face, not the slightest stirring to provide a glimpse of the sitter’s inner self. Gustav Klimt combines the naturalistic depiction of his model with a background dissolved into ornamentation. Even the chair is transformed into an ornament composed of wavy lines and ancient Egyptian eye motifs. This interplay between depth and an emphasis on the picture plane characterizes Klimt’s work from his so-called Golden Period.