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Upper Austrian Farmhouse

The image depicts a rural scene with a wooden cottage, partially surrounded by trees and a meadow. The trees are densely foliated and stand in the foreground. Near the house, flowers and grasses are visible, representing a blooming meadow. The house features several windows and a simple structure, partially obscured by the vegetation. [AI-generated with ChatGPT]
  • Belvedere, Oberes Belvedere, 1. Obergeschoß (Ost), Raum SO3
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  • Permalinkhttps://sammlungtest.belvedere.at/objects/380/oberosterreichisches-bauernhaus
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Upper Austrian Farmhouse
The image depicts a rural scene with a wooden cottage, partially surrounded by trees and a meadow. The trees are densely foliated and stand in the foreground. Near the house, flowers and grasses are visible, representing a blooming meadow. The house features several windows and a simple structure, partially obscured by the vegetation. [AI-generated with ChatGPT]
Gustav Klimt, Bauernhaus in Buchberg (Oberösterreichisches Bauernhaus), 1911, Öl auf Leinwand, 110 × 110 cm, Belvedere, Wien, Inv.-Nr. 1370
Foto: Johannes Stoll / Belvedere, Wien
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  • Upper Austrian Farmhouse

  • Bauernhaus
  • Date1911
    • Künstler*in Gustav Klimt (1862 Wien – 1918 Wien)
  • Object typePainting
  • MediumOil on canvas
  • Dimensions
    110 × 110 cm
  • SignatureSign. rechts unten: GUSTAV / KLIMT
  • Inventory number1370
  • Locations Belvedere, Upper Belvedere, 1. Floor (east), Room SO3
  • It is as though we are standing beneath the apple tree ourselves, with the dense treetops towering over the view of the old farmhouse in the background. Gustav Klimt painted this picture during his summer retreat at the Attersee in 1911. Using a pointillist technique, he dissolved nature into numerous brushstrokes, while the house itself is rendered with clearly defined surfaces and contours. This gives the impression of a two-dimensional surface pattern, despite the spatial distance between the individual motifs. The blossoming and fertility of nature that so delighted Klimt, evident in the orchards and flower meadows of most of his landscapes, takes on the character of a natural symbolism that celebrates life in its prime.

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